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The Backstory of the Fallen Goddess Scenario (FGS)

Everything you do on Gaia earns your avatar gold, and this gold can be used to purchase even better items for your avatar. Here will show you how to create a dream avatar for gaia gold. You can then save and share your dream avatar with the rest of the world, or use your dream avatar. Virtual People; Cube World several small screens that can be linked together. Small stick people live, work, and play in each block, and can interact with one another. Share your thoughts, experiences and the tales behind the art.

Audio of Text

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Nothing in nature is born without a birthplace and a matrix, its mothering entity. This law applies to microbes, animals, even the oceans and clouds. Likewise, no myth, metaphysical teaching, spiritual system, religion, ideology, work of art, or scientific theory comes into the world out of nowhere. Every event that confers self-understanding on the human species comes, not from “humanity” in an abstract sense, but from a particular locale in the world inhabited by a distinct racial strain. The Japanese creation myth, for instance, comes from the island of Japan and its native peoples. Aztec mythology arose from the landscape and mindset of the Meso-American peoples, the local tribes. The dominant belief-system in the world today, the trio of Abrahamic religions (Judaism, Christianity, Islam), came originally out of Canaan (modern Palestine) and spread across the planet from there.

The Home Story also has a specific geographic and racial origin. As you learn the narrative, it will be instructive to consider the backstory of the FGS — a term from filmmaking that describes the preceding conditions of a movie plot. This consideration is not required but it may be desired if you are an individual inclined to wonder about origins. The Home Story has a backstory like any other mythic narrative or religious system, any spiritual program you can name, such as Buddhism, Wicca, or Mormonism.

But there is a difference with this narrative, and it is huge. Due to its encompassing scope, the Fallen Goddess Scenario is a story to guide all the races of the world and even to describe the diverse roles they hold in what Gnostics today call “the divine experiment.” The Home Story differs from all other “creation myths” in the way it addresses the totality of the human situation, planet-wide, even though it arises from a specific geographic and racial origin. Its application is universal but it comes to the world as the product of the religious imagination of particular people.

So, before delving into the narrative, it may be worth while to give your attention to the following brief orientation.

The Sources

The sacred narrative of the Mysteries explains the cosmic origins of life and human purpose on earth, in a way not to be found elsewhere. No other body of myth or legend from any culture or epoch presents a “creation myth” as vivid, comprehensive, and coherent as this one. Likewise, no other narrative explains the ultimate truth about evil and how it works against all that is good and beautiful on our precious planet. The Home Story is the cosmic biography of the living earth. It is also the supreme heresy of all time.

Due to its exceptional message, this narrative has been attacked, distorted, maligned, and suppressed more violently, and more continuously over centuries, than any concept in all of history. Consequently, textual evidence of the FGS only survives in sparse and fragmentary form, like shards of a vast shattered mosaic. But it does survive.

The rare materials that preserve the myth of the Wisdom Goddess were discovered in the Middle East and Egypt. How then, can it be the guiding narrative of the Native European races? Also, since the myth comes from an ancient movement that originated in northwestern Iran (see below), how can it be designated as European at all? Against these objections, two points of clarification will be helpful:

First, those who developed this narrative came from the native stock of peoples whose homeland was in the Caucasus mountains. They were cousins to the Aryan-Celtic-Nordic-Teutonic-Italic-Iberian races who lived all over Europe. (Proof of this long-enduring kinship can be seen in the astonishing physical similarities between the Ossetian people of the Caucasus and the Celts of Ireland.) The authors of the FGS were ancestors of those diverse peoples designated at white, peoples who survive today as the racial minority in the world population: about 8%.

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Second, the Iranian racial stock that produced the Home Story stood entirely distinct from the Arab-Asiatic peoples who inhabit Iran and neighboring regions today. And, of course, they lived long before those inhabitants were converted to Islam, or Christianity, or Judaism. Elsewhere around the Mediterranean basin and across Europe, from Greece to the British Isles, from Spain to Scandinavia, diverse peoples sprang from the same racial stock. The Home Story is the unique product of the religious imagination of Aryan Caucasians, a spectrum of races that originally and exclusively occupied the vast reaches of Western Europe and eastward as well, extending to Iran and into India, whose population contains a significant Aryan mixture.

The Sanskrit word Aryan comes from the Indo-European root, arya, “noble, excellent.” Not to say that only Aryans possess and express those qualities; rather, they exemplify the attributes of nobility and excellence to be attained by all races. That attainment, however, must be proven, demonstrated in values, attitude, and action.

A further question: Can counterparts of the Iranian version of the Home Story be found in European mythologies from Britain, Scandinavia, Greece, Germany, Italy, France, Spain and elsewhere? What about national epics such as the Kalevala of Finland, the rich trove of Greco-Roman mythology, Germanic folk-lore, or Irish, Welsh, and Basque legends? Looking back at those vanished cultures in their original pre-christian state of native purity, do you find any versions and variations of the Fallen Goddess Scenario? Do any of those sources offer a story based centrally on the figure of an earth goddess comparable to the Sophia of the Mysteries? Do they present in any way versions and variations of the Home Story such that it might be recovered and retrieved in those materials? Yes, they do, but those regional versions are chaotic, incomplete, and inconsistent. They do not present the entire plot of the narrative. Far from it. They are at best mangled variations. The European heritage only retains some random elements, names, incidents pertinent to the Home Story. Only partial features of the FGS, mere glimpses of it, can be found in the comparative myth, folk-lore and legend of Europe that survive today.

Why? Quite simply due to the fact noted above: the Home Story has been so relentlessly attacked that only scattered clues from it survive. Across Europe almost all evidence of it has been deliberately suppressed, placed under taboo, if not actively demolished. For example, Nordic myth does not offer a coherent rendering of the Sophianic narrative, nor even isolated episodes or extracts. Only a version of her name survives: Ostara. And that name is borrowed from the Germanic peoples whose mythological heritage likewise was demolished when Christianity overtook Europe. All that remains is the name, Ostara, without a single clear story-line about her. Without a clue to her origins and her continuing existence.

The Background

The FGS is not the work of a single human author. It was developed over many generations by the Magian Order, a community of visionary teachers. The Magians were the pagan, pre-Christian forerunners of the Gnostics. They called themselves telestai, “those who are aimed.” What aimed them? It was their intimate access to the intelligence of the living earth, the telluric matr